Download PDF The 30 Greatest Orchestral Works
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The 30 Greatest Orchestral Works
Download PDF The 30 Greatest Orchestral Works
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Audible Audiobook
Listening Length: 24 hours and 53 minutes
Program Type: Audiobook
Version: Original recording
Publisher: The Great Courses
Audible.com Release Date: July 8, 2013
Language: English, English
ASIN: B00DTNV9LY
Amazon Best Sellers Rank:
This lecture series by Robert Greenberg on the 30 Greatest Orchestral Works is an amazing journey through music and the history of music starting with Vivaldi and ending with Shostakovich.I learned a great deal about music and especially the composers and what they tried to accomplish through their music. I had no idea that at one time composers working for patrons were expected to come up with something new every month and didn't start writing their works down until people started asking them to play something again. Can you imagine how many great works were lost because they were not written down?The list of the classes are as follows:30 Greatest Orchestral Works1. Introduction2. Vivaldi’s-The Four Seasons3. Bach’s-Brandenburg Concerto4. Bach’s-Violin Concerto in E Major5. Haydn’s-Symphony 1046. Mozart’s -Piano Concerto 24 in C Minor7. Mozart’s-Symphony #104 Jupiter In C Major8. Beethoven-Symphony #39. Beethoven-Piano Concerto #410. Beethoven-Symphony #911. Schubert-Symphony #912. Mendelssohn—“Italian†Symphony13. Schumann—Symphony No. 314. Brahm’s-Symphony No.415. Brahm’s-Violin Concerto16. Tchaikovsky—Symphony No. 417. Tchaikovsky—Violin Concerto18. Bedrich Smetana—Má Vlast19. Dvorák—Symphony No. 820. Dvorák—Concerto for ’Cello21. Rimsky-Korsakov—Scheherazade22. Richard Strauss—Thus Spoke Zarathustra23. Mahler—Symphony No. 524. Rachmaninoff—Symphony No. 225. Debussy—La Mer26. Stravinsky—The Rite of Spring27. Saint-Saëns—Symphony No. 328. Holst—The Planets29. Copland—Appalachian Spring30. Shostakovich—Symphony No. 531. Shostakovich—Symphony No. 1032. The Ones that Got AwayHe ends the lectures talking about some composers like Bizet and Bartok whose estates refuse to allow the Great Courses to teach their works, which is a shame.I know now what to look for in a piece of music and some more composers I should look into. I can highly recommend the course and the lecturer.
It's been kind of a rough end of the year, and my reading has slowed down as the Swedish Death Cleaning has speeded up. But audiobooks are great companions while I'm cleaning, and Robert Greenberg has carried me through some onerous tasks, especially this month. I chose it because I simply wasn't up to Roxane Gay or Ta-Nehisi Coates, or in fact anything that would make me feel sad or guilty or furious.I chose well because this course of lectures shed light on a great many pieces of music that I'm already familiar with, giving me a deeper appreciation of the works and their composers. As I've said in other reviews, Professor Greenberg's understanding of music history and history in general, is deep, and he uses it to give context to the works he's discussing. He cites Beethoven's terrible, horrible, very bad, no good year as the impetus behind some of his greatest works, and puts Shostakovich's work in the context of Stalinism where composing the wrong thing could earn you a meat axe to the back of the head.Beyond that, he shows us much of the technique behind the works, which is a way of understanding the history of music itself, of the compositional standards and how they were changed as composers such as Mozart, Beethoven, and Brahms found them either too restrictive or simply outmoded.I had a moment of serendipity with the lecture on Gustav Mahler's 5th symphony. As the lecture wound down, I found myself wanting to listen to the whole thing. But it was late and I didn't feel like hunting it down on Spotify. A few minutes later, I turned on the radio and found myself listening to Mahler's 5th, and thinking about what Professor Greenberg had said about it as I lay in bed, finding it a deeper experience for having just heard the lecture.If you listen to classical music this lecture series, like Greenberg's other series on music, can greatly enrich your listening. I always come away from one of his series with a new appreciation for a composer or a work I'd never given much thought to.Â
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